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Contents

  1. Pianist Marjan Kiepura plays Chopin Mazurkas
  2. More by Ramon Schwarzkopf
  3. More By Michel Block
  4. Chopin: 4 Ballades; Nocturne, Op. 27 No. 1; Mazurka, Op. 17 No. 4 | Smithsonian Folkways Recordings

Composed in , the three Mazurkas, Op.

Chopin Mazurka Op.33 No.4 By Arthur Rubinstein (44/154)

By this time, Chopin, now involved with George Sand Aurore Dudevant , had established his pattern of spending most of the year in seclusion in Paris and his summers in Nohant, where he wrote the Mazurkas, Op. It is typical to find the most substantial mazurka of a Chopin set in the last position, an the third of Op. Although one of the longest of Chopin's Mazurkas six pages long, depending on the edition , it does not contain a single tedious passage. With this piece, Chopin effectively re-designs the basic concept of the mazurka.

He combines folk rhythms with cultivated counterpoint, mixes modal harmonies and chromatic writing, uses ostinato to give a primitive sound to the work and push toward a climax, occasionally reduces the texture to a single line, and ends with a long and developmental coda. Chopin rarely places learned compositional procedures on the surface of his pieces, but in the C sharp minor mazurka we find blatant examples of contrapuntal artifice.

For instance, the opening is very much like a fugue, although Chopin dispenses with the alternation of tonic and dominant entries. This fugal texture increases when the main theme returns after its contrasting partner.

The trio, with its insistent rhythm and rustic sound, begins with what seems like a continuous, endless phrase. The coda, designed to close both the piece and the entire Op. The motive from which this sequence is derived--two eighth notes followed by two quarter notes--is part of the trio's primary theme. However, the music slithers chromatically all over the tonal map before ending up on the tonic. What Chopin accomplishes with this harmonic adventure is the creation of an "exotic" sound his contemporaries would have associated with foreign music and "authentic" mazurkas.

Such passages influenced Wagner 's harmonic thinking. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental.

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Pianist Marjan Kiepura plays Chopin Mazurkas

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More by Ramon Schwarzkopf

Period Romantic. Comp Date Pub Date Avg Duration Share on facebook twitter tumblr. Chopin: Mazurkas. Deutsche Grammophon: The Mono Era Great Chopin Pianists. Twelfth Night Recital, Prague Two Hands. Chopin Recital. Chopin: Preludes. Recordings [34 tracks]. Vladimir Sofronitsky, piano. Klara Min plays Chopin Mazurkas.

More By Michel Block

Wilde Plays Chopin at the Wigmore Hall. Chopin Recital 2. Classical Collection Master Series, Vol. Classical Masterpieces: Classical Outlook. Evgeny Kissin: Chopin Edition, Vol. Chopin: Waltzes; Barcarolle; Nocturne; Mazurka. Dinu Lipatti: Studio Recordings The Real Chopin. Chopin Highlights. Chopin: His Contemporaries and His Instruments. Chopin: Piano Works. Chopin: Solo Piano Works.

Chopin: The Mazurka Diary. Kissin Plays Chopin. So, I google-searched for classical downloads and found your site. I was able to print out excellent editions of the pieces I needed within minutes. To find the scores locally would have been inpossible as it was a smaller town, the nearest music store 45 minutes away. The difficulty rating system that Piano Street uses enables me to search by difficulty level for pieces at my students' various playing levels.

It is helpful that many of the scores include an audio clip of the piece being played.

No. 4 in A minor

I have recommended to my advanced students that they also join Piano Street since getting sheet music from there is a much less expensive alternative to ordering and paying for the music. Steve D. Allen, Ph. Piano score: Scanned score kB.

Chopin: 4 Ballades; Nocturne, Op. 27 No. 1; Mazurka, Op. 17 No. 4 | Smithsonian Folkways Recordings

Debussy - Clair de Lune. Beethoven - Piano Sonata, opus 27 no 2 Moonlight. Waltz in F major, Op. Mazurkas, Op. Piano Concerto in E minor, Op. To use this form you need to have Javascript and cookies enabled!